All publications

2019

• Gillies, Malcolm, 'Percy Grainger: How American was He?', Nineteenth-Century Music Review, issue 16(1), April 2019, pp. 9-26. DOI: 10.1017/S1479409817000568
• Hosar, Halvor K., 'Fain of his Faithful?': Friendship, Hardship and Deception in Percy Grainger and Sparre Olsen's "Mountain-Norway" Project', Studia Musicologica Norvegica, vol 45 (2019).

2018

• Chesworth, David, ‘Versions of freedom: Music synthesizers at the Grainger Museum’, University of Melbourne Collections, issue 22, June 2018, pp. 23-28.
• Gamboz, Gloria, ‘Helen Lempriere: Mid-20th century representations of Aboriginal themes’, University of Melbourne Collections, issue 22, June 2018, pp. 66-74

2017

• Gillies, Malcolm, ‘Percy Grainger: Sounds, machines, freedoms’, University of Melbourne Collections, issue 20, June 2017, pp. 15-16.
• Woodward, Laura, ‘Calling Percy:A parallel pedagogical and studio research project leading to a significant cultural production’, University of Melbourne Collections, issue 20, June 2017, pp. 17-30.
• Gaunt, Heather, ‘'Narratives of ageing and ‘the telling of life stories': Using the University of Melbourne’s cultural collections in pedagogy and research on ageing’, University of Melbourne Collections, issue 20, June 2017, pp. 75-83.

2016

• Krautschneider, Astrid and Brian Allison Water, marks and countenances: works on paper from the Grainger Museum collection, Melbourne: University of Melbourne, 2016.

2015

• Dreyfus, Kay and Suzanne Robinson (eds), Grainger the modernist, Farnham, Surrey: Ashgate Publishing, 2015.

  Contributors: Graham Barwell, Michael Christoforidis, Sarah Collins, Phillip Allen Correll, Dorothy de Val, Graham Freeman, Andrew Hugill, Emily Kilpatrick, Ken Murray, Samantha Owens, Simon Perry, Suzanne Robinson, Peter Schimpf, Peter Tregear and John Whiteoak.

• Kirby, Catherine Sarah, 'The Art-Twins of Our Timestretch': Percy Grainger, Frederick Delius and the 1914-1934 American 'Delius Campaign' (Master of Music Thesis, Melbourne Conservatorium of Music, University of Melbourne, 2015).
• Robinson, Suzanne (ed), Passions of a Mighty Heart: Selected Letters of G.W.L. Marshall-Hall, Melbourne: Lyrebird Press Australia. 2015.
• Percy Grainger in the Company of Strangers (Exhibition catalogue, The Gallery @ Bayside Arts and Cultural Centre, 2015).

2014

• Krautschneider, Astrid and Brian Allison An artist's utopia : Mortimer Menpes in Japan., Melbourne: University of Melbourne, 2014.
• Lee-Browne, Martin and Paul Guinery, Delius and his music, Woodbridge, Suffolk: Boydell Press, 2014.
• Mellers, Wilfred (ed), The Free Music Machine drawings of Percy Grainger, Clonmel, Tipperary: Coracle, 2014.

2013

• Allison, Brian (ed.) and Jennifer Hill (assoc. ed.), Hoardings: exceptional, exotic and commonplace, Melbourne: University of Melbourne, 2013.

  Contributors: Brian Allison, David Beauchamp, Patricia Begg, Georgina Binns, Warren Burt, Jo-Anne Cooper, Jon Drews, Kay Dreyfus, Malcolm Gillies, Percy Aldridge Grainger,Daniel Grimley, Derham Groves, Robyn Healy, Jennifer Hill, Astrid Britt Krautschneider, Roger Leong, Desmond MacAuley, Ros McMillan, Sophie Matthiesson, David Pear, Michael Piggott, John Poynter, Thérèse Radic, Chalon Ragsdale, Glenn Riddle, Julie Robinson, Kerrianne Stone, Monica Syrette, Peter Tregear, Ian Watchorn.

• Bellio, Natalie, Percy Grainger and new worlds of concert pianism : a study of repertoire and programming (1914-1926) (Master of Music Thesis, Melbourne Conservatorium of Music,University of Melbourne, 2013).
• Collins, Sarah,The aesthetic life of Cyril Scott, Woodbridge, Suffolk: Boydell Press, 2013.

2012

• Gray, Stella, 'Object of desire: Portraits of Percy Grainger from his London period' in Grainger Studies: An Interdisciplinary Journal, no 2, 2012.
• Nemec, Belinda, Autobiographical Museums, in Kate Hill (ed.), Museums and Biographies: Stories, Objects, Identities, Boydell Press, 2012
• Radic, Thérèse and Suzanne Robinson (eds), Marshall-Hall's Melbourne: music, art and controversy 1891-1915,
  Melbourne: Australian Scholarly Publishing, 2012.

2011

• Bellio, Natalie, '"The Forgotten Teacher": The piano teaching of Percy Grainger at the Chicago Musical College 1919 – 1931', paper delivered at the Musicological Society of Australia (Victorian Chapter) conference, University of Melbourne, August 2011.
• Bellio, Natalie, The piano teaching of Percy Grainger at the Chicago Musical College 1919-1931, Honours Thesis, Melbourne Conservatorium of Music, University of Melbourne,  2011.
• Doggett, Anne and Gwyn Gillard, See How They Ring! Travelling Bellringers on the Australasian Popular Stage,
  Ballarat: BHS Publishing, 2011.
• Gillies, Malcolm, 'Percy Grainger: Australia's Greatest Composer?', lecture presented at Gresham College, London, Monday 11 July 2011.
• Gillies, Malcolm, 'Grainger, early music, democracy and freedom', Grainger Studies: An Interdisciplinary Journal, no 1, 2011, pp. 21-33.
• Groves, Derham, 'Some similarities between the feng-shui of Chinese joss houses in Australia and postmodern architecture', Grainger Studies: An Interdisciplinary Journal, no 1, 2011, pp. 55-73.
• Kakinuma, Toshie, 'Percy Grainger and African American / American Indian music', paper delivered at the Percy Grainger Music Festival symposium, Tokyo, November 2011.
• Krautschneider, Astrid Britt, '"Seeing things in my Australian way":  Percy Grainger and the Grainger Museum at the University of Melbourne', paper delivered at the Percy Grainger Music Festival symposium, Tokyo, November 2011.
• Nelson, Kathleen E., 'Percy Grainger and the "'Musical Confucius"', Musicology Australia, vol. 33, no. 1, June 2011, pp. 15–27.
• Nemec, Belinda, ''Let the genius be presented whole, as life made & moulded him': The Grainger Museum at the University of Melbourne', Museums Australia Magazine, vol. 19, no. 4, May 2011, pp. 31-2.
• Peoples, Sharon, 'Dress, moral reform and masculinity in Australia', Grainger Studies: An Interdisciplinary Journal, no 1, 2011, pp. 115-35.
• Piggott, Michael, 'Brief biography and the "all-round man"', Grainger Studies: An Interdisciplinary Journal, no 1, 2011, pp. 5-20.
• Pinner, Mark, 'Racial stereotypes as comedic mechanism: Luscombe Searelle and Walter Parke', Grainger Studies: An Interdisciplinary Journal, no 1, 2011, pp. 35-54
• Purtell, Simon, '"A souvenir of my deep interest in your future achievements": The "Melba Gift" and
  issues of performing pitch in early 20th-century Melbourne', Grainger Studies: An Interdisciplinary Journal, no 1, 2011, pp. 75-95.
• Ragsdale, Chalon, 'Percy Grainger's contributions to the art and science of collecting folk song', paper delivered at the Percy Grainger Music Festivalsymposium, Tokyo, November 2011.
• Robinson, Suzanne, 'Percy Grainger and Henry Cowell: concurrences between two "Hyper-Moderns"', in Musical Quarterly, vol 94, no 3, 2011, pp. 278-324.
• Stanley, Peter, 'The Grainger Museum', reCollections, vol 6, no 2, October 2011.
• Taplin, Peter, 'Percy Grainger's hall of mirrors', Limelight Magazine, June 2011, pp. 30-5.
• Thwaites, Penelope, 'Percy Grainger, the man' keynote speech delivered at the Percy Grainger Music Festival symposium, Tokyo, November 2011.
• Tregear, Peter, '"Nostalgia is not what it used to be": Exploring the kitsch in Grainger's music, Grainger Studies: An
  Interdisciplinary Journal, no 1, 2011, pp. 97-113.
• Williamson, Michael, 'Grainger does a Cakewalk: A study of Ragtime in Europe and Percy Grainger's "In Dahomey: Cakewalk Smasher"', paper delivered at the Musicological Society of Australia (Victorian Chapter) conference, University of Melbourne, August 2011.

2010

• Balough, Teresa (ed.), Comrades in art: The correspondence of Ronald Stevenson and Percy Grainger, 1957-61, with interviews, essays and other writings on Grainger by Ronald Stevenson, London: Toccata Press, 2010.
• Gillies, Malcolm, 'Grainger: 50 Years On', keynote speech delivered at the 'Let Us Sit in Wait No Longer': Future Directions in Percy Grainger Scholarship, Performance and Interpretation symposium, University of Melbourne,16 October 2010.
• Karg-Elert, Sigfrid, The harmony of the soul: Sigfrid Karg-Elert's letters "to his Australian friends" / compiled, translated and annotated by Harold Fabrikant., Caulfield: H. Fabrikant, 2010.
• Maloney, Shane, 'Encounters: Percy Grainger and Edvard Greig', The Monthly, February 2010, p. 74.
• Syrette, Monica, 'One man's Taste: Percy Grainger's "Aims of the Museum', International Journal of the Arts in Society, vol. 5,Issue 4, pp.191-8.
• Thwaites, Penelope (ed.), The New Percy Grainger Companion, Woodbridge, Suffolk: Boydell Press.

  Contributors: Brian Allison, Teresa Balough, Roger Covell, Kay Dreyfus, Lewis Foreman, Paul Jackson, James Judd, James Koehne, Astrid Britt Krautschneider, Barry Peter Ould, Stewart Manville, Murray Mclachlan, Timothy Reynish, Bruce Clunies Ross, Desmond Scott, Peter Sculthorpe, Geoffrey Simon, Ronald Stevenson, Stephen Varcoe, David Walker.

2009

• Collins, Sarah Siobhan, The Development of Cyril Scott's Aesthetic Thinking: An Interpretation Informed by Literary and Biographical Sources (PhD Thesis, School of Music, The University of Queensland, 2009).
• Martin, Ruth Lee, 'Grainger's settings of the Gaelic folk song Mo Nighean Dubh (My Dark-Haired Girl)', paper delivered at the 32nd National Conference of the Musicological Society of Australia, University of Newcastle, September 2009.
• Mercer, Christine, 'Henry Tate (1873–1926): 'The Australian' (1914–17)', paper delivered at the 32nd National Conference of the Musicological Society of Australia, University of Newcastle, September 2009.
• Nemec, Belinda, 'The paradox of collecting the other: Percy Grainger's collecting of non-western cultures'. Paper delivered at Crossing cultures: Conflict, migration, convergence, 32nd Congress of the International Committee of History of Art, Melbourne, 17 January 2008, published in Jaynie Anderson (ed.), Crossing cultures: Conflict, migration and convergence: The proceedings of the 32nd International Congress of the History of Art,
  Carlton, Vic.: Melbourne University Publishing, 2009, pp. 995–1000.
• Smith, Joseph, 'Grieg, Grainger, Bartok: Seeking the hidden harmonies of folk music', paper delivered at the Grieg Festival, Rollins College, Winter Park, Florida, January 2009.
• Syrette, Monica, 'Introducing Percy Grainger: Musician, designer, innovator', University of Melbourne Collections, issue 5, November 2009, pp. 44-6.

2008

• Carruthers, Glen, 'Percy Grainger: Another nincompoop, like Sir Thomas Beecham?', paper delivered at the 31st National Conference of the Musicological Society of Australia, The University of Melbourne, December 2008.
• Collins, Sarah, 'Symbolism and Theosophy in the Music-Philosophy of Cyril Scott', paper delivered at the 31st National Conference of the Musicological Society of Australia, The University of Melbourne, December 2008.
• Garofalo, Robert J., (ed.), Wind band/ensemble anthology folk songs & dances in wind band classics, vol. 4: Folk songs & dances in Lincolnshire Posy by Percy Grainger, Silver Spring MD:  Whirlwind Music Publications,
  2008.
• Bandt, Ros, 'Hearing the Free Music: Percy Grainger, Australian Vivsionary of the Soundscape, Creator of Electro-Acoustic Free Music and Sound Machines', Soundscape: The Journal of Acoustic Ecology, vol. 8, no. 1, Fall / Winter 2008, pp. 9-13.
• Carruthers, Glen, 'Percy Grainger's Canadian Repertoire', Institute for Canadian Music Newsletter, vol. 6, no. 1, 2008, pp. 2-4.
• Soundscape, Vol 8. No 1. http://wfae.proscenia.net/journal/scape_13.pdf.

2007

• Symposium: Percy Grainger at 125, 7 December 2007.
• Allison, Brian, 'John Harry Grainger: Architect and civil engineer', in University of Melbourne Collections, issue 1, November 2007, pp. 38-45.
• Allison, Brian (ed.), John Harry Grainger: Architect and Civil Engineer, Melbourne: University of Melbourne, 2007.
  Contributors: Brian Allison, George Tibbits, Susan Reidy, Astrid Britt Krautschneider, Belinda Nemec, John Maidment.
• Gillies, Malcolm and David Pear, 'Percy Grainger: Grieg's interpreter and propagator', paper delivered at the Beyond Grieg - Edvard Grieg and his Diverse Influences on Music of the 20th and 21st Centuriesconference, Bergen Art Museum, May-June 2007.
• Gillies, Malcolm and David Pear, 'Percy Grainger and American Nordicism', in Julie Brown (ed.), Western music and race, Cambridge: Cambridge University Press, 2007, pp. 115–24.
• Gillies, Malcolm and David Pear, 'Grieg and Grainger: Great expectations', Musical Times, no. 148, Autumn 2007, pp. 5-24.
• Grimley, Daniel , 'Taken into the mountains: Grieg, Grainger and the idea of landscape', paper delivered at the Beyond Grieg - Edvard Grieg and his Diverse Influences on Music of the 20th and 21st Centuriesconference, Bergen Art Museum, May-June 2007.
• Nemec, Belinda, ' "I am hungry for fame-after-death": Percy Grainger's quest for immortality through his museum', ReCollections: Journal of the National Museum of Australia, vol. 2, no. 2, September 2007.
• Nemec, Belinda, '"Twin halves of a cultural whole": The modern and the 'primitive' in the collecting and creativity of Percy Grainger', paper delivered at Imperial curiosity: Objects, representations, knowledges, conference held by the
  Centre for Colonialism and its aftermath, University of Tasmania, Hobart, 27-29 June 2007.
• Pear, David, 'Presenting Percy: Problems with the source materials of Percy Grainger', paper presented at the International Association Of Music Libraries, Archives And Documentation Centres Conference, Sydney Conservatorium of Music, July 2007.
• Piggott, Michael, 'Human behaviour and the making of records and archives', Archives and Social Studies: A Journal of Interdisciplinary Research, vol. 1, no. 0, March 2007, pp. 237-57.

2006

• Carruthers, Glen, 'Percy Grainger and the Schubert Choir of Brantford, Ontario', Anacrusis, vol. 25, no. 2, 2006, pp. 11-17.
• Favilla, Stuart & Joanne Cannon, Children of Grainger: Leather instruments for free music, conference paper from the proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France.
• Gillies, Malcolm, David Pear & Mark Carroll (eds), Self-portrait of Percy Grainger (Oxford University Press, 2006).
• Murphy, Kerry, Thérèse Radic, Jan Stockigt, Jennifer Hill, Suzanne Cole & Jennifer Royle, contributions to Nineteenth-century music review (vol. 2, issue 2, 2006).
  Issue dedicated to music in Melbourne in the 1880s–1890s, research based largely on the collections of the Grainger Museum.
• Nemec, Belinda, The Grainger Museum in its museological and historical contexts (PhD thesis, University of Melbourne, 2006).
• Pear, David, 'Facing Percy Grainger', National Library of Australia News, vol. 16, no. 9, June 2006, pp. 3-6.
• Pear, David, 'Percy Grainger, Soldier Australian', Sounds Australian: Journal of the Australian Music Centre, no. 68, 2006, pp. 6-9.
• Pear, David, (ed.), Facing Percy Grainger (exhibition catalogue, National Library of Australia, 2006).
• Purtell, Simon Andrew, 'The Melba Gift: Issues of Pitch in Melbourne in the Early Twentieth Century' (BMus (Hons) thesis, University of Melbourne, 2006).
• Watters-Cowan, Cherie, 'Reconstructing the creative life of Australian composer Margaret Sutherland: The evidence of primary source documents' (PhD thesis, University of New South Wales, 2006).

2005

• Allison, Brian, 'Love me, love my letters', University of Melbourne Library
  Journal, vol. 10, no. 2, December 2005, pp. 7-10.
• Gillies, Malcolm, 'Percy Grainger's word games', Meanjin, vol. 64, no. 3, 2005, pp. 145–51.
• Kakinuma, Toshie, Amerika jikken ongaku wa minzoku ongaku datta: kunin no tamashii no bōkenshatachi,
  Firumuātosha, Tokyo, 2005.

2004

• Allison, Brian, 'Secret signs and sleeping portraits', University of Melbourne Library Journal, vol. 9, no. 1, July 2004, pp. 7-9.
• Barwell, Graham, 'Percy Grainger and the early collecting of Polynesian music', Journal of New Zealand Studies, NS 2-3, October 2003-October 2004, pp. 1-17.
• Carruthers, Glen, 'Percy Grainger remembered: Alma Brock-Smith talks to Glen Carruthers', Piano Journal (The European Journal for Pianists and Piano Teachers), 24(74), 2004, pp. 5-9.
• Crichton, Ian Kieran, The most divine of all Arts: Neoplatonism, Anglo-Catholicism and music in the published writings of A.E.H. Nickson (MMus thesis, Australian Catholic University, 2004).

2003

• Bearman, C.J. 'The Folk-Song Society and the Phonograph', Music & Letters Vol. 84, No. 3 (Aug., 2003), pp. 434-455.
• Dawkes, Bryony Jane, 'Race, Sex, Athletics and Art: Percy Grainger's Towelling Utopia' (Masters thesis, University of Birmingham, 2003).
• Kane, Barbara, Nature's instrument: 150 years of amateur choral music in Melbourne: Royal Melbourne Philharmonic and Royal Victorian Liedertafel (exhibition catalogue, Grainger Museum and Baillieu Library, 2003).
• Mercer, Christine Mary, ''A Cinderella of the arts': The life of Henry Tate (1873-1926) and a preliminary music catalogue of his works' (MMus thesis, Australian Catholic University, 2003).
• Palmer, Tony, 'The accidental wunderkammer: Decorative arts and curiosities from the Grainger Collection', University of Melbourne Library Journal, vol. 8, nos 1-2, July 2003, pp. 8-10.
• Pear, David, 'The passions of Percy', Meanjin, vol. 62, no. 2, 2003, pp. 59–66.
• Wong, Maria Goretti, 'Percy Grainger's promotion of early music to Australian audiences in 1934: A critical evaluation' (MMus thesis, University of Melbourne, 2003).

2002

• Allison, Brian, The accidental Wunderkammer: Decorative arts and curiosities from the Grainger Collection (exhibition catalogue, Grainger Museum, 2002).
• Pear, David and Malcolm Gillies, 'Grainger's Top Ten', CSAM Review, University of Melbourne, August 2002, pp.1-3.
• Pearce, Rowena, 'Rediscovering Mirrie Hill (1889–1986): 'Composer in her own right'' (MMus thesis, University of Melbourne, 2002).
• Gillies, Malcolm & David Pear (eds), Portrait of Percy Grainger(University of Rochester Press, 2002).
• Radic, Thérèse, G.W.L. Marshall-Hall: A biography & catalogue(Marshall-Hall Trust, 2002).
  2010 reprint available here for download (pdf 7 Mb).
• Reidy, Susan, Fashion: The cultural imagery of clothing(exhibition catalogue, Information Division, University of Melbourne, 2002).

2001

• Allison, Brian, 'On display: Prints from the Grainger Museum', University of Melbourne Library Journal, vol. 7, nos 1-2, December 2001, p. 10.
• Allison, Brian, Half a painter's nature: Percy Grainger as designer (exhibition catalogue, Grainger Museum, 2001).
• Carruthers, Glen, 'The piano music of Percy Grainger: A pianist's perspective on pedalling', Canadian University Music Review, vol. 21, no. 2, 2001, pp. 77-93.
• De Val, Dorothy. '"Fresh and sweet like wildflowers": Lucy Broadwood, Percy Grainger, and the collecting of folksong', Context, no.22, Spring 2001, pp. 131-40.
• Gillies, Malcolm & Mark Forbes (eds), Australasian music research 5: Percy Grainger Issue (2001).
• Tan, Eleanor Al Ling, 'Percy Grainger and the virtuoso tradition' (PhD thesis, University of Queensland, 2001).

2000

• Allison, Brian, 'Grainger photographs', University of Melbourne Library Journal, vol. 6, no. 2, December 2000, pp. 20-23.
• Cass, Naomi, 'Making a museum of oneself: The Grainger Museum', Meanjin, vol. 59, no. 2, 2000, pp.140–51.
• Fairbanks, Sue, 'Pathways to the past', University of Melbourne Library Journal, vol. 6, no. 2, December 2000, pp. 11-12.
• Harris, Amanda, 'The nature of Nordicism: Grainger's "blue-gold-rosy-race" and his music', Musicology Australia, vol. 23, 2000, pp.19–48.
• Harper, Melissa. 'Sensuality in Sandshoes Representations of the Bush in the Walking and Writing of John Le Gay Brereton and Percy Grainger', Australian Historical Studies, Volume 31,Issue 115 (2000).
• Pearce, Rowena, 'Mirrie Hill (1889–1986): Rediscovering the Australian composer and pedagogue' (BMus Special Studies paper, University of Melbourne, 2000).

1999

• Cass, Naomi, 'MaleORDER: Addressing menswear', University of Melbourne Library Journal, vol. 5, no. 1, June 1999, p. 16.
• Cass, Naomi, 'Parallax error', Artlink, vol. 19, no. 1, 1999, pp. 52–5.
• Cass, Naomi, 'Percy Grainger's past-hoard-house: An autobiographical museum', Counterpoint, April 1999, pp. 30–3.
• Gillies, Malcolm & Bruce Clunies Ross (eds), Grainger on music (Oxford University Press, 1999).
• Male order: Addressing menswear (exhibition catalogue, Ian Potter Museum of Art, 1999).
• Ryder, Dermott, The world and Percy Grainger (The Screw Soapers, 1999).
• Servadei, Alessandro, 'Grainger on PhotoCD', University of Melbourne Library Journal, vol. 5, no. 1, June 1999, pp. 14-15.
• Wrobel, Elinor. Percy Grainger: The Passionate Folklorist and Ethnomusicologist (exhibition catalogue, Grainger Museum, 1999).

1998

• Bandt, Ros (curator), 'Beaming the theremin' (performance held at the Grainger Museum).
• Bandt, Ros, 'A garden for Percy's delight', (sound installation in the Grainger Museum).
• Bird, John, Percy Grainger (3rd edition, Currency Press, 1998).
• Cass, Naomi, 'A jewel in the musical crown: The Percy Grainger Museum and the Melbourne Festival', University of Melbourne Library Journal, vol. 4, no. 1, June 1998, pp. 9-10.
• Darian-Smith, Kate & Alessandro Servadei (eds), Talking Grainger: Perspectives on the life, music and legacy of Percy Grainger (Australia Centre, University of Melbourne, 1998).
• Pear, David, 'Percy Grainger and manliness', Journal of Australian studies, no. 56, March 1998, pp. 106–18.
• Pear, David, 'Percy Grainger as 'educator-at-large': The formation, expression and propagation of his manliness' (PhD thesis, University of Queensland, 1998).
• Poole, Lisa Simone, 'Percy Grainger's "Lust-Branch": Exhibitionism on display', PostGrad.Dip. thesis, University of Melbourne, School of Fine Arts, Classical Studies and Archaeology, 1998. Copy held in the Elisabeth Murdoch Research Library, School of Culture and Communication, University of Melbourne.
• Servadei, Alessandro, Percy Grainger: From meat-shun-ment to cut-cure-craft (exhibition catalogue, Grainger Museum, 1998).Exhibition catalogue.
• Wrobel, Elinor, Percy Grainger and the sea: From water, wind and the sea evolved the soundscapes of Percy Grainger's mind (exhibition catalogue, Grainger Museum, 1998). https://www.unimelb.edu.au/culturalcollections/research/libraryjournal/vol4no2/wrobel.pdf
• Wrobel, Elinor, 'Percy Grainger and the sea: The Percy Grainger Museum 1998 special exhibition in the year of the ocean', University of Melbourne Library Journal, vol. 4, no. 2, December 1998, pp. 18-22. Exhibition catalogue.
• Electric-eye, a 60th anniversary celebration of sonic and visual experiments in the spirit of Percy Grainger proudly presented by the University of Melbourne's Grainger Museum in association with the Melbourne
  Festival (program, Grainger Museum, 1998).
• Wong, Maria Goretti, 'Was Grainger an ethnomusicologist?' (BMus Special Studies Paper, University of Melbourne, 1998).

1997

• Balough, Teresa, A musical genius from Australia: Selected writings by and about Percy Grainger (2nd
  edition, University of Western Australia, 1997).
• Callaway, Frank (ed.), Percy Aldridge Grainger symposium (reprint of Studies in music, no. 16, 1982: Percy Grainger Centennial volume, University of Melbourne, 1997).
• The many faces of Percy Grainger (Grainger Museum, in association with the 1997 Melbourne Festival and the Australian Centre, University of Melbourne, 1997).
• Linz, Rainer, 'The Free Music Machines of Percy Grainger', Experimental Musical Instruments, June 1997, pp. 10-12.
• Nelson, Kathleen E, 'Percy Grainger's work for the Australian Broadcasting Commission, 1934–1935: Background and reception', Australasian music research, nos. 2–3, 1997–8, pp. 99–110.
• Wrobel, Elinor 'Percy Grainger's art: "Da Da-ist" or Aussie "Make-do-ist"', University of Melbourne Library Journal, vol. 3, no. 2, December 1997, pp. 11-14.
• Wrobel, Elinor, Percy Grainger 1882–1961: artist and art collector(exhibition catalogue, Grainger Museum, 1997). Exhibition catalogue.

1996

• Carruthers, Glen, 'Percy Grainger in Winnipeg', in G. Carruthers and G. Lazarevich (eds), A Celebration of Canada's arts 1930-1970 , Toronto: Canadian Scholars' Press, 1996, pp. 97-116.
• Fabrikant, Harold (ed.), The harmony of the soul: Sigfrid Karg-Elert's letters "to his Australian friends ", Lenswood: Academy Music, 1996.
• Grogan, Christopher, 'Percy Grainger and the revival of early English polyphony: The Anselm Hughes correspondence', Music and Letters, vol. 77, 1996, pp. 425-39.
• Pear, David, 'Percy Grainger: Educator-at-large', in Brenton Broadstock et al. (eds), Aflame with music: 100 years of music at the University of Melbourne (Centre for Studies in Australian Music, University of Melbourne, 1996) pp. 261–9.
• Percy Aldridge Grainger: List of published works = Verzeichnis der ver offentlichten Werke (Mainz: Schott, 1996). English language text, with preliminary matter in English, parallel German translation.
• Servadei, Alessandro,'Percy Grainger and the musical score: An examination of the Australian composer through his notational practices in The warriors—music to an imaginary ballet', in Brenton Broadstock et al. (eds), Aflame with music: 100 years of music at the University of Melbourne (Centre for Studies in Australian Music, University of Melbourne, 1996) pp. 271–80.
• Servadei, Alessandro, 'A critical edition and exploration of Percy Grainger's The warriors—music to an imaginary ballet' (MMus thesis, University of Melbourne, 1996).
• Tibbits, George,The Grainger Museum, University of Melbourne: History and conservation guidelines (University
  of Melbourne, 1996).
• Percy Aldridge Grainger: List of published works = Verzeichnis der ver offentlichten Werke (Mainz:
  Schott, 1996). English language text, with preliminary matter in English, parallel German translation.
• Thornton, Pat, 'Percy Grainger: The man through his museum', in Paper Clip Collective, Melbourne University portraits: They called it 'The shop', (Department of History, University of Melbourne with the assistance of the History of the University Unit, 1996, pp. 55–62.
• Wrobel, Elinor, For Percy Grainger (1882-1961) the band plays on, and on, and on, and on (exhibition catalogue, Grainger Museum, 1996). Exhibition catalogue.

1995

• Bandt, Ros, 'Grainger's free music and free music machines: A living tradition', Sounds Australian, no. 46, Winter 1995, pp. 4–9.
• Carruthers, Glen, 'Percy Grainger and Louise McDowell', Grainger Society Journal, vol. 13, no. 1, 1995, pp. 17-31.
• Dreyfus, Kay, Grainger Museum, University of Melbourne, catalogue 4: Percy Grainger Music Collection, part three: supplementary list and index: music by Percy Aldridge Grainger vol 2 (Grainger Museum, 1995).
• Gillies, Malcolm, 'Percy Grainger and Australian identity: The 1930s', in Nicholas Brown et al. (eds),
  One hand on the manuscript: Music in Australian cultural history, 1930–1960 (Australian National University, 1995) pp. 34–44.
• Wrobel, Elinor, Percy Grainger's gift to the land of his birth: A strange heterogeneous treasure hoard-house (exhibition catalogue, Grainger Museum, 1995).

1994

• Gillies, Malcolm 'Grainger, nationality and war', Sounds Australian, no. 41, Autumn 1994, pp. 10–11.
• Gillies, Malcolm & David Pear (eds), The all-round man: Selected letters of Percy Grainger, 1914–1961
  (Oxford University Press, 1994).
• McCreadie, Mary, 'Percy Grainger: The evolution of 'free music'', (BA Lit/Mus Hons thesis, University of Essex, 1994).
• Radic, Thérèse, Australian music biography and the skew of cultural context: Changing viewpoints to assess significance (University of Western Australia, 1994).
• Wrobel, Elinor, Percy Grainger's paradoxical quest for 'world music': Free music & free music machines (exhibition catalogue, Grainger Museum, 1994). Exhibition catalogue.

1993

• Balough, Teresa, The inner fire: Spirit and evolving consciousness in the work of Percy Grainger (The Percy Grainger Lecture 1993, CIRCME series no. 5, University of Western Australia, c1993).
• Servadei, Alessandro, 'Percy Grainger's Hill-Songs: The culmination of his early musical experiments' (BMus Special Studies paper, 1993).
• Wrobel, Elinor, The Nordic inspiration: Percy Grainger, 1882–1961 and Edvard Grieg, 1843-1907: An exhibition to commemorate the 150th anniversary of Grieg (exhibition catalogue, Grainger Museum, 1993). Exhibition catalogue.

1992

• Davies, Gwilym. 'Percy Grainger's Folk Music Research in Gloucestershire, Worcestershire, and Warwickshire, 1907-1909', Folk Music Journal, Vol. 6, No. 3 (1992), pp. 339-358.
• Mellers, Wilfrid, Percy Grainger (Oxford University Press, 1992).
• Wrobel, Elinor, Percy Grainger: The noble savage: Featuring original costumes, photographs, memorabilia, ethnographic artefacts and music (exhibition catalogue, Grainger Museum, 1992). Exhibition catalogue.

1991

• Clunies Ross, Bruce, 'For the glory of Australian music, for the glory of Nordic music', Australian studies, no. 5, 1991, pp. 36–49.
• Hurlston, David, 'A catalogue of Percy Grainger's Free Music Machine drawings', Post Grad.Dip. thesis, University of Melbourne, School of Fine Arts, Classical Studies and Archaeology, 1991. Copy held in the Elisabeth Murdoch Research Library, School of Culture and Communication, University of Melbourne.
• Lewis, Thomas P. (ed.) A source guide to the music of Percy Grainger (Pro/Am Music Resources, 1991).
• Wrobel, Elinor, Formative years of Percy Grainger: Baby and child(exhibition catalogue, Grainger Museum, 1991). Exhibition catalogue.

1990

• Bird, Jennifer Rebecca Anne, 'From the English gothic music of Percy Grainger: Angelus ad virginem and Princesse of youth' (BMus Hons thesis, University of Melbourne, 1990).
• Clunies Ross, Bruce, Grainger Museum, University of Melbourne, catalogue 3: Percy Grainger's personal library (Grainger Museum, 1990).
• Riddle, Glenn Allan Keith, 'The pianism of Percy Grainger: A study of his score annotations' (MMus thesis, University of Melbourne, 1990).
• Wrobel, Elinor, Percy Grainger's 'Nordic princess': Courtesan and 20th century woman: Catalogue for the exhibition on Ella Viola Bandelius Ström(exhibition catalogue, Grainger Museum, 1990). Exhibition catalogue.

1989

• Binns, Georgina, Women composers: A guide to resources in the Grainger Museum, University of Melbourne (Grainger Museum, 1989).

1988

• Wrobel, Elinor, Rosemary Florimell & Kay Dreyfus, The Rose Grainger costume collection(exhibition catalogue, Grainger Museum, 1988).

1986

• Clunies Ross, Bruce, 'Percy Grainger's "Nordic revolt against civilization"', Musicology Australia, vol. 9, 1986, pp. 53–65.
• Cross, Burnett. 'Grainger Free Music Machine', Recorded Sound: Journal of the British Institute of Recorded Sound, N0. 45-46, January-April 1972. pp. 17-21. Reprinted in The Grainger Society Journal, Vol. 8, No. 1, Spring 1986.
• Dorum, Eileen, Percy Grainger: The man behind the music (I.C. & E.E. Dorum; Gardner Printing, c1986).

1985

• Dreyfus, Kay (ed.), The farthest north of humanness: Letters of Percy Grainger 1901–14 (Macmillan, 1985).
• Gillies, Malcolm, 'Grainger's London years: A performing history', Musicology Australia, vol. 8, 1985, pp. 14–23.
• O'Brien, Jane, The Grainger English Folk-Song Collection (Music monograph 6, University of Western Australia, 1985).
• Wrobel, Elinor, The three faces of Percy Grainger: [exhibition held] at the Performing Arts Museum, Victorian Arts Centre, 1985(exhibition catalogue, Grainger Museum, 1985).

1984

• Fairweather, Don, Your Friend Alberto Zelman: The Story of Alberto Zelman and the Zelman Memorial Symphony Orchestra (Melbourne: Zelman Memorial Symphony Orchestra, 1984).
• Reeves, Helen Milton, 'The "past-hoard-house": A study of the Grainger Museum' (thesis for Graduate Diploma, James Cook University, 1984).

1983

• Clifford, Phil, Grainger Museum, University of Melbourne, catalogue 2: Percy Grainger Music Collection part 2: Grainger's collection of music by other composers(Grainger Museum, 1983).
• Porter, James. 'Bartók and Grainger: Some Correspondences and a Hypothesis' Studia Musicologica Academiae Scientiarum Hungaricae, T. 25, Fasc. 1/4 (1983), pp. 221- 228.
• Simon, Robert, Percy Grainger: The pictorial biography (Whitston Publishing, 1983).
• Wrobel, Elinor, Percy Grainger (exhibition catalogue, Newcastle Regional Gallery, 1983).

1982

• Balough, Teresa, A Musical genius from Australia: Selected writings by and about Percy Grainger (University of Western Australia, 1982).
• Callaway, Frank (ed.), Percy Aldridge Grainger symposium (reprint of Studies in music, no. 16, 1982: Percy Grainger Centennial volume, University of Melbourne, 1997).
• Dreyfus, Kay & Janice Whiteside, 'Percy Grainger and Australia: Was there a kookaburra in those English "Country Gardens"?', Meanjin, vol. 41, no. 2, June 1982, pp.155–70.
• Percy Grainger centenary celebrations (program, Faculty of Music, University of Melbourne, 1982).
• Radic, Thérèse, G.W.L. Marshall-Hall, portrait of a lost crusader: An introduction to the Marshall-Hall collection of the Grainger Museum, University of Melbourne(Department of Music, University of Western Australia, 1982.
• Tall, David, Percy Grainger: A catalogue of the music (Schott in association with the Percy Grainger Society, 1982).
• Yates, Michael. 'Percy Grainger and the Impact of the Phonograph', Folk Music Journal, Vol. 4, No. 3 (1982), pp. 265-275.
• Studies in music, no. 16, 1982: Percy Grainger Centennial volume.
• Thacker, Eric Charles, 'George  Percy Grainger (1882-1961), professionally known as Percy Aldridge Grainger: A  biographical estimate' (PhD thesis, University of Melbourne, 1970).

1981

• Foreman, Lewis (ed.), The Percy Grainger companion (Thames, 1981).
• Lowe, Rachel, A descriptive catalogue with checklists of the letters and related documents in the Delius collection of the Grainger Museum, University of Melbourne, Australia (Delius Trust, 1981).

1980

• Anderson, Peter James, 'The innovative music of Percy Grainger: An examination of the origins and development of free music' (MMus thesis, University of Melbourne, 1980).
• Dreyfus, Kay, Percy Grainger's Kipling settings: A study of the manuscript sources (Music monograph 3, University of Western Australia, 1980).

1979

• O'Brien, Jane, 'Percy Grainger: English folk song and the Grainger English folk song collections (PhD thesis, La Trobe University, 1979).
• Percy Grainger & the arts of the Pacific (exhibition catalogue, Grainger Museum, 1979).

1978

• Bebbington, Warren Arthur, 'The Operas of G.W.L. Marshall-Hall' (M.Mus. thesis, University of Melbourne, 1978).
• Dreyfus, Kay, Grainger Museum, University of Melbourne, catalogue 1: Percy Grainger Music Collection part 1: Music by Percy Aldridge Grainger (Board of the Grainger Museum, 1978).
• Dreyfus, Kay, 'The Grainger Museum', Grainger journal, vol. 1, no. 1, Spring 1978, p. 9.
• Objects, documents and pictures to reflect upon, selected from the Grainger Museum and the Archives Collections of the University of Melbourne (exhibition catalogue, University Gallery, University of Melbourne, 1978).

1977

• Balough, Teresa, 'Kipling and Grainger', Studies in music (no.11, 1977) pp. 74–108.

1976

• Bird, John, Percy Grainger, London: P. Elek, 1976.

1975

• Balough, Teresa, A complete catalogue of the works of Percy Grainger (Music monograph 2, University of Western Australia, 1975).
• Prescott, A.M., A guide to the Grainger Museum (Grainger Museum, 1975).

1974

• Slattery, Thomas C, Percy Grainger: the inveterate innovator (Instrumentalist, 1974).

1972

• Tan, Margaret Hee-Leng, 'Free Music of Percy Grainger' in Recorded Sound: Journal of the British Institute of Recorded Sound, N0. 45-46, January-April 1972. pp. 21-38.

1971

• Tan, Margaret Leng, 'The free music of Percy Grainger' (DMA Thesis, The Juilliard School, 1971).

1970

• Thacker, Eric Charles, 'George Percy Grainger (1882-1961), professionally known as Percy Aldridge Grainger: A biographical estimate' (PhD thesis, University of Melbourne, 1970).

1968

• Cross, Lowell. 'Electronic Music, 1948-1953', Perspectives of New Music, Vol. 7, No. 1 (Autumn - Winter, 1968), pp. 32-65.

1962

• Willetts, Pamela J.  'An Autograph Manuscript of Percy Grainger' The British Museum Quarterly, Vol. 25, No. 1/2 (Mar., 1962), pp. 18-19.

1957

• Grainger, Percy. 'Edvard Grieg: A Tribute', The Musical Times, Vol. 98, No. 1375 (Sep., 1957), pp. 482-483.

1955

• Goldman, Richard Franko. 'Percy Grainger's 'Free Music''. The Julliard Review,  II, No. 3, Fall, 1955. pp. 37-47.  Reprinted in The Grainger Society Journal, Vol. 8, No. 1, Spring 1986.

1949

• Grainger, Percy. 'The Saxophone's Business in the Band.', The Instrumentalist 4 (September – October 1949), 6-7.

1942

• Grainger, Percy. 'The Culturizing Possibilities of the Instrumentally Supplemented "A Cappella" Choir', The Musical Quarterly, Vol. 28, No. 2 (Apr., 1942), pp. 160-173.

1940

• 'Old Phonograph Records Get Back Their Voices', The Science News-Letter, Vol. 38, No. 16, Fall Book Number (Oct. 19, 1940), pp. 243- 244.

1937

• Hughes, Charles W., 'Percy Grainger, Cosmopolitan Composer', The Musical Quarterly, Vol. 23, No. 2 (Apr., 1937), pp. 127-136.

1934

• Grainger, Percy. 'A Synopsis of Twelve Illustrated Lectures by Percy Grainger: A Commonsense View of all Music'. Australian Broadcasting Commission, December, 1934.

1933

• Grainger, Percy. 'Arnold Dolmetsch: Musical Confucius', The Musical Quarterly, Vol. 19, No. 2 (Apr., 1933), pp. 187-198.
• Grainger, Percy. 'Melody versus Rhythm', in Music News, issue for 29 Sept. 1933, p. 9.

1927

• Grainger, Percy. 'The Orchestra for Australia.', The Australian Musical News (March 1, 1927), 11.

1924

• Grainger, Percy. 'What Effect is Jazz Likely to Have Upon the Music of the Future?', The Etude 62/9 (September 1924), 593-4.

1918

• Grainger, Percy. 'Possibilities of the Concert Wind Band from the Standpoint of a Modern Composer.', Metronome Orchestra Monthly 34/11 (November 1918), 22-3.

1916

• Sapir, E. 'Percy Grainger and Primitive Music', American Anthropologist, New Series, Vol. 18, No. 4, (Oct. - Dec., 1916), pp. 592-597.

1915

• Grainger, Percy. 'The Impress of Personality on Unwritten Music.' in The Musical Quarterly, I (1915), pp. 416-435.

1908

• Grainger, Percy. 'Collecting with the Phonograph' Journal of the Folk-Song Society, Vol. 3, No. 12 (May, 1908), pp. 147-162.
• Grainger, Percy. 'The Impress of Personality in Traditional Singing', Journal of the Folk-Song Society, Vol. 3, No. 12 (May, 1908), pp. 163-166.

1907

• Grainger, Percy. 'Personal Recollections of Grieg', The Musical Times, Vol. 48, No. 777 (Nov. 1, 1907), p. 720.